What Are the Things Where People Make Art Out of Letters
Language is a powerful tool. And no one understands that improve than artists who thoughtfully utilize text to brand a statement and draw out emotion. By using text equally the central communication vehicle in their creative expression, these artists push forth letters, numbers, and words as their principal means to become out their message.
Of grade, text and art accept been intertwined for centuries—recollect of medieval illuminated manuscripts, with their elaborate illustrations. But things actually took off in the 20th century. When Surrealist artist Magritte famously wrote "Ceci n'est pas une pipe." ("This pipage isn't a piping.") across his painting, he moved text to a central role in understanding the work. Cubists, such as Georges Braque, were also known for incorporating text into their artwork, ofttimes highlighting its graphic quality.
From the 1960s onward, a group of artists increasingly focused on text in their art. From projections to canvases, sculptures to public murals, the versatility—and power—of the written word forces the viewer to reflect. Clever discussion play, political activism, subversion of advertising, and appropriation of form are just some mutual characteristics of powerful text art. Scroll down to learn a lilliputian more about the masters who pioneered this art movement.
We await at 8 text artists who use words, letters, and numbers to give meaning to their art.
Barbara Kruger
Untitled (Your body is a Battleground), 1989. The Broad, Los Angeles, California.
Untitled (I shop therefore I am), 1987. Modern Art Museum of Fort Worth, Fort Worth, Texas.
American conceptual creative person Barbara Kruger'south work uses catchy phrases laid over images to challenge ideas of power, identity, and sexuality. Playing off sensational news headlines or advertizing slogans, her work forces the viewer to explore their understanding of how these traditional media outlets skew our perceptions. "I piece of work with pictures and words because they accept the power to make up one's mind who nosotros are and who we aren't."
Jenny Holzer
New York Urban center, 1985.
Siena, Italy, 2009.
Emerging in the 1980s, Jenny Holzer is known for her projections, which took advantage of what was new technology at the time. Her 1982 work in New York's Times Square used LED to broadcast her letters to a wide audience. Recurring themes in her work are tribulations of modern life, besides every bit problems of religion and gender. Using direct language, and frequently juxtaposing shocking phrases, she forces the public to face up societal problems.
Ed Ruscha
The Accented Terminate, 1982. de Young Museum, San Francisco, California.
Active since the 1960s, Ed Ruscha is often categorized as a pop artist. Based in Los Angeles, his work pulls through the ironies of life on the West Coast, often placing text over bright, vibrant color patterns or dramatic, cinematic backgrounds. Ruscha is also known for experimenting with unusual media, having used everything from chocolate syrup to blood in his artwork.
Christopher Wool
Apocalypse Now, 1988.
Based in New York and Marfa, Texas, Christopher Wool is best known for his series of blackness text rolled onto white canvases, which he produced in the 1980s. In fact, his work Apocalypse At present, sold at Christie's for over $26 million in 2013. The bold letters, executed as stencils, were inspired past the graffiti Wool was seeing in New York Urban center.
Bruce Nauman
The True Creative person Helps the World past Revealing Mystic Truths. 1967. Philadelphia Museum of Art.
Multi-media artist Bruce Nauman works with video installation, performance, sculpture, and photography, but his most text-heavy works are his neon light sculptures. Focusing on semantics, his work frequently centers on how slight changes in words can have a primal effect on meaning. "Perception itself—the viewer's encounter with his or her trunk and listen in relation to the art object—tin be interpreted as the subject thing of Nauman's work," writes Nancy Spector, main curator of the Guggenheim in New York.
Mel Bochner
If the Color Changes (#?), 1999.
Blah, Apathetic, Blah, 2014. I-lxx Sign Prove, Hatton, Missouri.
Conceptual creative person Mel Bochner has been active since the 1960s, starting practices that are now taken for granted, such as using gallery walls as a canvass for his piece of work. A highly versatile artist, Bochner works with painting, installation art, and photography. His thesaurus paintings bear witness overlapping synonyms executed in rainbow colors, while other pieces often take a single word, repeated for effect.
Steve Powers
Former graffiti artist Steve Powers, besides known as ESPO, dedicated himself to full-time studio art in 2000, only his origins still shine through in his piece of work. Showing influence from vintage sign painting, he uses clever wordplay both in public murals and his studio. His project A Love Letter of the alphabet for You saw him paint over 50 rooftop murals in Philadelphia in collaboration with Philadelphia Landscape Arts. Often whimsical and thought-provoking, with an uplifting message, Powers plays off Philadelphia'due south history of painted advert.
Ben Eine
Berlin, Germany.
Capetown, South Africa.
Likewise moving from illegal graffiti writer to respected artist, Ben Eine was launched to international fame in 2010 afterward British Prime Minister David Cameron presented President Barack Obama with ane of his paintings. He regularly works in both indoor and outdoor spaces, with his words oft broken up along a grid system.
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Source: https://mymodernmet.com/text-art-masters/
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